Clifton Karhu: Kiyomizu-dera Temple, Kyoto
Japan, Heisei period, c. 1990
Colour woodblock print, large oban, 30.5 x 40.6 cm (16" x 12"), very fine condition, as shown with typical kento cut in the lower left margin and no bottom margin as with all copies of this print, no flaws, uncirculated print, never framed. Impression is fine with solid key lines, nice surface texture, tight registration and a colour and bleed through to verso.
The print depicts Karhu's take of the balcony at the famous Kiyomizu Temple in Kyoto.
Clifton Karhu (1927-2007) was born in Duluth, Minnesota. He was one of the most acclaimed American woodblock artists to work in Japan. Though the son of two painters and artistically inclined from an early age, Karhu joined the military. Stationed at the American Navy base in Sasebo from 1946 to 1948, he fell in love with Japan. Upon his return to the United States, he attended the Minneapolis Art School (1950-52) before returning to Japan in 1952, this time as a missionary of the Lutheran church. From Hiroshima to Kyoto, he and his wife sold bibles until he became disillusioned with the mission. Settling in Gifu prefecture, he returned to art, working in oils and watercolour. Karhu’s reputation grew swiftly, winning first prize at the Middle Pacific Art Group Exhibition, and held his first solo exhibition at Shin Gifu Gallery.
In 1963, he moved to Kyoto. Immersed in the city’s vibrant artistic community, he began his successful career in woodblock printmaking. His self-carved and self-printed works portray traditional style houses and architectural details. Deeply expressive, yet precise and geometric, Karhu's style has earned him enormous popularity worldwide. When asked about his medium, he stated: “In Kyoto the vertical and horizontal lines of the tile roofs and the latticed windows strike a special harmony, like something alive. In my prints of Kyoto, I always strive to express this human warmth. Since wood accounts for much of Kyoto’s beauty, it may also be the best way that beauty can be expressed — through woodblock prints.”
Karhu's work was commissioned by major firms in Japan and Hong Kong and are represented in collections, including Cincinnati; Harvard University; St. Paul, Minnesota and the Museum of Fine Arts, Boston as well as innumerable private collections